Which 8 current gems will make it on this Hip Cassette round-up? Plug that rusty tape player in, press play and make sure you keep notes…

by Christos Doukakis

SIDE A

mookigang

‘Incomplete’

emo rap

[iframe src=”https://open.spotify.com/embed/track/5mG4H0orYWDJ8zhQ9JdZp8″ width=”400″ height=”500″ frameBorder=”0″ allowtransparency=”true” allow=”encrypted-media”></iframe]

we meet as strangers

‘Leave / Forget’

‘wave’/synthwave

[iframe src=”https://open.spotify.com/embed/track/74Nm3iYaPz1T9chwTSJ8uH” width=”400″ height=”500″ frameBorder=”0″ allowtransparency=”true” allow=”encrypted-media”></iframe]

mynameisleonidas

‘periergo’ 

electro pop/indie electronic

[iframe src=”https://open.spotify.com/embed/track/475nJ2z4NxIBkyXKTVQhXT” width=”400″ height=”500″ frameBorder=”0″ allowtransparency=”true” allow=”encrypted-media”></iframe]

Yellow Shoots

‘SALMA’

indie r&b/psych

[iframe src=”https://open.spotify.com/embed/track/3WHPiAostMlINNnLtyk5et” width=”400″ height=”500″ frameBorder=”0″ allowtransparency=”true” allow=”encrypted-media”></iframe]

SIDE B

Smith, Lyle & Moore

‘Born to Be Wild’

indie pop/cover

[iframe src=”https://open.spotify.com/embed/track/6q1UL0ZFrQ53JshrUNatRT” width=”400″ height=”500″ frameBorder=”0″ allowtransparency=”true” allow=”encrypted-media”></iframe]

Zachary Durham

‘Waterfall’

contemporary r&b

[iframe src=”https://open.spotify.com/embed/track/6dxMyp07tw38EbezRBVIRT” width=”400″ height=”500″ frameBorder=”0″ allowtransparency=”true” allow=”encrypted-media”></iframe]

Ocie Elliott

‘Wait for You’

indie folk

[iframe src=”https://open.spotify.com/embed/track/3Rev8ukx9v7fBDtq71QeCT” width=”400″ height=”500″ frameBorder=”0″ allowtransparency=”true” allow=”encrypted-media”></iframe]

SLYJYNX

‘Low’

synth-pop/indie electronic

[iframe src=”https://open.spotify.com/embed/track/2xSv0QDXck1q7qqpSS0T1s” width=”400″ height=”500″ frameBorder=”0″ allowtransparency=”true” allow=”encrypted-media”></iframe]

One of the first cassette tapes I ever purchased was the Rambo III score. I was not allowed to see Rambo, but my mom would allow me to buy the music, so I would listen to that score over and over and imagine the movie. But those limitations and not being able to access those things made me so much more excited about them.

Dan Trachtenberg